Transcendental Étude No. 4 is the fourth of the twelve Transcendental Étude by Franz List.

”Kuusi” (The Spruce) is part of a collection of five piano pieces by Sibelius named for different trees.

This is a short piece performed by me and my friends.

This piece was composed in 1792, though it was not published until after Beethoven’s death.

I learned this beautiful piece earlier this year, and every time I play this piece, I discover something new.

Our piece was composed by the Japanese film composer Joe Hisaishi.

“ I Love You, I’m Sorry” by Gracie Abrams is a song about the feelings that come with remembering past relationships such as regret, acceptance, and growth.

Kapustin’s Eight Concert Etudes are a virtuosic blend of the long established classical tradition and the spontaneous energy of jazz.

When I first listened to this song, I fell in love immediately.

Garth Knox’s Viola Spaces are a series of pieces that explore extended techniques in the growing diversity of styles in classical music playing.

Tchaikovsky’s Violin Concerto is part of the canon of violin repertoire, with its gorgeous melodies and fiery virtuosity.

This is a performance from the Prelude of the Bach Cello Suite No.4 in Eb Major.

This artwork holds a special place in my heart.

The 4th movement of Samuel Barber’s Sonata in E-flat Minor, Op. 26 is widely regarded as one of the most compelling and distinctive sections of the work.

Bach’s Andante from Sonata No. 2 in A minor, BWV 1003 was composed around 1720.

In this video, I am playing the second movement of Telemann’s viola concerto in G major, the first known viola concerto, which consists of four movements.

The Prelude from Bach’s Suite in C Minor, BWV 997, is a stunning work that combines harmonies and flowing arpeggios to create a deeply expressive atmosphere.

The ukulele connects me to my Hawaiian roots—small, but significant. In my family, this instrument is one of the last remnants of our dying Hawaiian culture, a reminder of where we come from.

Lamentatio, composed by Italian cellist Giovanni Sollima, challenges the classical interpretation of music.

While playing this song I was able to experience different emotions in the slow and fast parts of the song.