Wieniawski was a Polish violinist and composer. His second concerto is considered one of the finest works he ever composed, and is a turbulent piece, with both lyrical melodic lines (as in when the solo violinist enters for the first time) and technically challenging passages with difficult shifts, string crossings, and up-bow spiccatos. This piece was dedicated to Pablo de Sarasate.

Throughout the majority of my life, I underwent extensive training as a classical musician. However, as people around me began to share the experiences of pop music, I started to grow interest in contrasting genres of music.

I am a classical violinist, so to me, performing a piece like this classical piece by Wagner, I tried to perform as Wagner's intension but also incorporated my own expression to it by using my own phrasing, different tone colors, and vibratos.

The piece is called "Red" from "Four Personalities" composed by Alyssa Morris, an oboist. This movement is an accompaniment with an oboe and a piano. The piece begins with an unsettling beginning that climaxes into a "rage" in the end. Unlike other compositions, “Red” was composed based on personalities.

España Cañi is a musical work and the work written in 1923 by Pascual Marquina Narro and the piece was first performed in 1926. Also, the piece was created in Spain on a train, containing many intense rhythms, and very famous throughout the world.

The cello suites by Benjamin Britten (Opp. 72, 80, and 87) are a series of three compositions for solo cello, dedicated to Mstislav Rostropovich. This recording is one of those 3 suites, No 2, Declamato

I began by decoding the music itself it and paying close attention to the variety of elements the composer, Chopin, might've embedded within his composition, for instance the tempo markings, dynamics, etc.

I grew up in church, and that's how I learned to sing. My first ever gospel song was " Yes God is real" and this past July I sung "Yes God is real" at my church. The song has so much meaning . And I was blessed to sing this song for the NAACP.

This is a an excerpt of the Allegro con Spirito from Mozart’s Violin Sonata No. 18 in G Major, K. 301.

Liszt's Transcendental Étude no. 10 is dramatic and challenging, nicknamed "Appassionata". This piece, unlike all of my previous repertoire, took me three years to get my final recording. It challenged me, frustrated me, felt like it hated me and I certainly hated it back.

As I become more familiar with the structure and harmony of the songs I play, I like to create new arrangements and re-harmonize them, sometimes straying pretty far away from the original version.

I selected the song “I Remember Clifford” because of the emotional range the piece allows. The history of the song is about the short life of the legendary Clifford Brown that passed away tragically at the age of 23. The song takes me to a place where I get lost in the music and my horn seems to take over.

Mozart’s Sonata for Two Pianos in D Major, K. 448 was composed in 1781 when he was only 25 years old. Mozart composed this piece to perform with pianist Josepha Auernhammer. The piece is composed in galant style, which refers to a style of music that prioritized listener enjoyment and simplicity rather than musical complexity.

Getting the opportunity to play at Sweetwater music hall in Mill Valley was one of the best experiences ever and I will cherish it forever.

This is the first five minutes of Haydn's Cello Concerto No. 1 in C Major 1st movement.

I played Sonate, Op10, No.1, by Beethoven. At first, I was intimidated by the difficulty of the piece, but as I started to learn it and it started to grow on me, I quickly fell in love with it's rhythm of fast paced tempos and dreamy scenery.

bluegrass is yuh huh

In this performance of Bach's BWV 997 Gigue, I wanted to bring out the special beauty of Bach's music on my classical guitar. Bach's pieces are famous for being complex but also intricately delicate, and playing his music feels both challenging and exciting.

This is not my artwork

This is a part of my first clarinet record of Grand Duo Concertante in Eb major, Opus48, for Clarinet and Piano, Carl Maria Von Weber, Romantic era.