Piano Sonata No.4, Op.7 by L.V. Beethoven

Vivian W.

  • While preparing this Beethoven sonata, I find it helpful to organize my plan into sections. After I learn the basic notes, rhythms, and dynamics, I start analyzing the overall structure of the piece and identifying the exposition, development, and recapitulation. Then I find patterns or sequences in each smaller section and find ways to make them different or unique each time they repeat. I also try to associate a character or story to the general mood and theme of the piece as a whole to guide my storytelling and give myself a goal to aim for when molding my piece to have a certain sound and liveliness. The most creative part comes in when we understand the historical context of the piece and the composer's life at the time, which is often overlooked but can greatly help us in the process of effectively communicating this long-lasting piece of music.

  • Creativity is the courage to take risks. Taking a new approach to anything, even a single phrase or note, is scary. But pushing past the limits of what has already been done is what makes everything, especially classical music, much more exciting to both audience and performer.

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Violin Concerto First Movement by M. Bruch