Mother Tongue
Kacey Punzalan D.
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In my artistic practice in general, I'm concerned with how my identity as an Asian-American can appear in my artwork and in what forms it takes. I take photos of myself to use as references for my art, meaning that this piece acts almost like a self portrait.
I took the Tagalog word used by parents to refer to their child, "Anak," and carved it into the physical surface of the painting using a sharp tool. I also applied several layers of acrylic paint on the background so that upon being carved into, a red color would be revealed. I also applied acrylic paint to create the round shape behind the figure, a motif I often use to mirror the form of the figure in the foreground or to symbolize unity in self and identity: an internal feeling that is physically manifested. The figure itself was rendered with colored pencil, which was applied softly in order to create a delicate or fragile appearance.
I use text as a tool as if to imprint the words onto myself/my subjects. The physical aspect or the physical presence that the carved text has is very meaningful to me and this process of ritualistically carving my heritage language into my art is a symbolic practice that allows me to connect with my cultural background and explore my biracial identity.
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Personally, I feel that creativity is an outlet or conduit for me to be able to handle or explore understandings about myself. I physically carve Tagalog words into my subjects— referenced from photos of myself—a practice enabling me to reaffirm my connection with my Filipino heritage and culture.
