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Visual Art, 2024 Paulina Vo-Griffin Visual Art, 2024 Paulina Vo-Griffin

Kintsugi

This artwork is meant to symbolize that we're all made of many pieces, and there are many different versions of ourselves that are all connected. Each different piece is unified to create a whole. I was inspired by a Japanese art method, called Kintsugi, where broken ceramic is repaired with gold; a broken thing becomes even more beautiful than it was before it broke. I think that applies to more than just pottery. Many people become “cracked” during their life; hardships and events that stay with us long after they happen, and they make us better for it. We break, and we pick ourselves up again, and we keep going, bettering ourselves everyday, or at least trying to. We all have imperfections, which make us unique. I know that my own imperfections are what drive me to create and express my feelings through my creativity. This art piece was my attempt to visualize those ideas, as well as a way for me to experiment with many different mediums. Most of the piece is acrylic paint applied directly to the canvas, but there are a lot of parts that I did on separate pieces of paper and then attached to the canvas. I worked with oil pastel, watercolor, color pencil, and hand embroidery (and some crayola crayons) to make different sections of her face (the different versions/parts of her). Then I glued them to the canvas, and filled in the cracks with gold acrylic, similar to actual Kintsugi.

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Visual Art, 2024 Paulina Vo-Griffin Visual Art, 2024 Paulina Vo-Griffin

Kathakali

this work was inspired by a recent trip to india where i witnessed the performance of the kathakali dancers. kathakali is a form of theatrical dance originating in south india that uses extreme facial expressions and manipulation of one’s features to display an emotional narrative. I found it beautiful that these dancers committed their entire lives by training their faces to perform such radical actions in an effort to convey our cultural stories in such an engaging unique way. They have very unique makeup and garments they use to accentuate their performance and highlight their exaggerative faces. I tried to capture the intensity they are able produce in their art with my own.

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Visual Art, 2024 Paulina Vo-Griffin Visual Art, 2024 Paulina Vo-Griffin

Images from Nature

My critical gaze extends beyond the fragmented landscape of postmodernism, delving into the nuanced interplay of capitalist realism and the emergence of a techno-feudalistic aesthetic.

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Visual Art, 2024 Paulina Vo-Griffin Visual Art, 2024 Paulina Vo-Griffin

Jet Black West

A piece I did experimenting with background art through the use of a reverse silhouette. I had seen silhouettes before, but never one in which the background was blacked out while the foreground contained the set-piece of the art. At this point in time, I was also interested in the expansion of the West, and wanted to make a piece to reflect these interests.

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Visual Art, 2024 Paulina Vo-Griffin Visual Art, 2024 Paulina Vo-Griffin

Hopian

For this painting l decided to use a pink and red color for the flower to give a warmth and welcoming atmosphere for the flower.

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Visual Art, 2024 Paulina Vo-Griffin Visual Art, 2024 Paulina Vo-Griffin

J-Town

I wanted to mimic an all American city. The riverfront is at the very foreground representing historically the geographic reasoning for the city’s placement. The roads loop around the central mall complete with movie theater, bank, and hotel. On the left is the financial district with a bank, office skyscraper, and a park for workers to enjoy coffee and have lunch. On the right is the civic center with city hall, police, fire, and medical. An American city would not be complete without a gas station and a diner found farther down the road on the left. Try to spot small details like the hotdog cart or subway entrance that bring the city to life. Buildings have complete interiors and the bricks are all reused from separate sets.

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Visual Art, 2024 Paulina Vo-Griffin Visual Art, 2024 Paulina Vo-Griffin

Inverted Perspective Skeleton

I created this piece to challenge myself, I wanted to create visual interest, through perspective, and color. I chose a skeleton as my subject to touch on the fact that everyone is the same underneath our muscle, skin and even personality. This fact if comforting in a way, knowing that we always can be connected by this even when we feel completely isolated and different.

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